Archive for May, 2010

توضيح حول مشروع شرق أوسط واحد

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ترددت أخبار مؤخراً تزعم بأني مشارك في مشروع شرق أوسط واحد Onemideast.org وأردت التوضيح على موقعي بأني ليس لي علاقة بالمشروع لا من قريب ولا من بعيد، وتفاجأت بوجود رابط موقعي على موقع المشروع وقد طلبت حذفه. كما أن موقع كلنا شركاء استخدم صورتي  دون إذن بدل صورة عبد السلام الذي طلب حذف صورته من الخبر، وقد طلبت من الموقع حذف الصورة أيضاً.

أعيد التأكيد بأني ليس لي علاقة بالمشروع ولن أعلق بأكثر من ذلك.


Putting Syria on the Map

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I have been doing some intensive cartography lately. Yes, I’m literally putting Syria on the map.

Going to college in Damascus was a frustrating experience for quite a long time. I did not know the city nearly as well as I should have. I didn’t live in the heart of Damascus, but 30 minutes by servees (a microbus used for commuting in Syria) on a good day. When meeting people in parts of the city that I did not know, I was often too stubborn or too ashamed to ask for directions or help getting somewhere. That always ended with me asking questions to people I’m more comfortable asking, but also less likely to be able to help me; or walking aimlessly and asking people in the street who were as clueless as I was. Going to a new theater or cultural center was always a process of finding out the address and the best way to get to and fro the designated activity location.

Well, not for long. Thanks to Google’s Map Maker, other location-recognition-impaired people won’t have to suffer like I did. I’m now one of a group of volunteer users, or citizen cartographers as Google likes to call them, who  have been drawing the entire map of Syria on Google Map Maker. We’re highlighting points of interest, businesses, streets, neighborhoods and just about everything in between. Eventually it will be available on a high quality, easy to search Google map that’s free to use for all people and platforms that have an active internet connection. There’s an intimidating learning curve to Map Maker; roads are hard to draw and they disappear after you first draw them because they need to be moderated before they show up. This means having to draw roads with no visual clues of your previous work. Drawing on water is a close analogy.

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